Outside Artists are Paul Clark & Richard Light Clark
Each coming from a background of painting, our venture into collaborative land art
began with the Full Circle installation in the River Kent estuary in Morecambe Bay
as part of the FRED 2007 Art Attack -
Since then we have continued to develop proposals and realise and evolve our collaborative
process. We bring together different perspectives and skills and this combination
is the crucible from which our ideas and problem solving emerge. 
Setting moon and Full Circle
Aesthetic considerations
In each work the question, ‘where does the art lie?’ is constantly
posed. Answers develop from discussion and inform the work. The outside work has
been left to change and erode under natural conditions, whilst the ephemeral nature
of the pieces means that they only remain/persist in video, memory, blog, photo or
occasionally, more traditional forms of art in exhibitions.
Process, time and place
Attention to process, place and timescale has been a significant element throughout
our collaboration. Projects are allowed to develop during the process of making/delivery.
Each question posed in the process of ‘making’ requires an answer and often this
can often only be found within the context of the landscape or the site-
Environmental considerations
Our aim is to relate to, and reveal, the inherent aesthetic of a location whilst avoiding any detrimental effect to the environment. For outside, rural or coastal locations our work often takes the form of temporary art; utilising and transforming materials found on site as far as possible and therefore leaving no lingering, damaging effects. For urban situations we aim to apply similar principles within the context of the built environment.
Other considerations
Scale of project and the amount of labour required in a short time can often mean community involvement is crucial, while the chosen site invariably evokes historical links that need to be considered and addressed.
We have found that good working relations and clear organisation have been crucial when working with community groups to install the work.
